Nada abou farhat biography definition
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Under The Bombs
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Stable Unstable
In an apartment building in Beirut, on the last day of the year, seven characters start their day by visiting their psychologist as part of the weekly ritual. On that couch in their psycholo Read allIn an apartment building in Beirut, on the last day of the year, seven characters start their day by visiting their psychologist as part of the weekly ritual. On that couch in their psychologist's office, they face themselves and their loved ones in trying to define what is most Read allIn an apartment building in Beirut, on the last day of the year, seven characters start their day by visiting their psychologist as part of the weekly ritual. On that couch in their psychologist's office, they face themselves and their loved ones in trying to define what is most important to them. Each of them, from the patients to the residents of the building, has a Read all
See production info at IMDbPro
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Bosta (film)
Lebanese film
Bosta (English: The AutobusArabic: Bosta &#; بوسطة) is a Lebanesefilm by the director Philippe Aractingi. Bosta is a story of young Lebanese artists who meet again, after being separated, and tour different cities of Lebanon in an old bus, performing a techno version of the dabkeh that shocks conservatives, but moves forward towards the future. Simon Emmerson and Martin Russell from the group, Afro Celt Sound System composed original music for the dabkeh (dance) sequences and composed the film's underscore respectively.[1]
Quoting from the official site:
Bosta is a road musical that takes the audience on a wonderful journey across various Lebanese regions a journey accompanied by a groundbreaking soundtrack and, of course, this truly pioneering dance, the electro-dabkeh.
Bosta was the best selling film in Lebanon in [2] The movie was submitted as the official Lebanese entry in the 79th Academy Awards (Oscars) in