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Happy endings are relative, though. If a film conforms to the R.S.S.’s vision of India, Ramesh excuses any manipulations of fact; if it departs from that vision, Ramesh believes that its creators seek to “tarnish” India’s image. He cited “The Empire,” a show on Disney’s Indian platform, about Babur, the Muslim warrior who founded the Mughal dynasty in India, in Why make a show that humanizes Babur, Ramesh wondered. He doesn’t consider Muslim rulers to be Indian, even if they were born in the country. “They were invaders,” he said. “Sacred Games,” a noirish Netflix series, depicted a Hindu man plotting an act of terrorism. Ramesh thought that it was propaganda: “You want to show Hindus as terrorists because you don’t want to acknowledge Islamic terrorism.” “Tandav”? Also propaganda. But he forgives directors who invert history, depicting Hindu kings defeating their Muslim foes in battles that they actually lost. “You have to show something that will inspire people,” he said. And when