Biography of the roman goddess ceres spaeth
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The Roman Goddess Ceres 9780292762831
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THE-ROMAN-GODDESS
CERES
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THE- ROMAN- GODDESS
CERES
BARBETTE-STANLEY-SPAETH
UNIVERSITY OF TEXAS PRESS • Austin
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Copyright © 1996 by the University of Texas Press Ali rights reserved Printed in the United States of America First edition, 1996 Requests for permission to reproduce ämne from this work should be sent to Permissions, University of Texas Press, Box 7819, Austin, TX 78713-7819. Library of församling Cataloging-in-Publication Data Spaeth, Barbette Stanley. The Roman goddess Ceres / Barbette Stanley Spaeth. p. cm. Includes bibliographical references and index. ISBN 0-292-77692-6 (cloth : alk. paper).—ISBN 0-292-77693-4 (paper : alk. paper) 1. Ceres (Roman deity) 2. Rome—Religion. I. Title. BL820.C5S63 1995 292.2'114—dc20 95-13112 Paperback cover image: The centrai figure of the rel
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The Roman Goddess Ceres
Interest in goddess worship is growing in contemporary society, as women seek models for feminine spirituality and wholeness. New cults are developing around ancient goddesses from many cultures, although their modern adherents often envision and interpret the goddesses very differently than their original worshippers did.
In this thematic study of the Roman goddess Ceres, Barbette Spaeth explores the rik complexity of meanings and functions that grew up around the goddess from the prehistoric period to the Late Roman Empire. In particular, she examines two major concepts, fertility and liminality, and two social categories, the plebs and women, which were inextricably linked with Ceres in the Roman mind. Spaeth then analyzes an image of the goddess in a relief of the Ara Pacis, an important state monument of the Augustan period, showing how it incorporates all these varied roles and associations of Ceres. This interpretation represents a new contributio
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Barbette Stanley Spaeth has taken on the laudable task of correcting the distorted view of ancient goddesses frequently found in recent books about the current feminist pagan movement. This movement views ancient feminine deities as the prototypes for modern, independent, liberated women. Spaeth (hereafter S.) has her work cut out for her. The “Goddess” is back, her supporters say. Whether one believes matrifocal religion has recently been revived after millennia of disregard or that it has recently been created, it cannot be denied that the Goddess’s popularity is rapidly expanding. A cursory survey of one university’s on-line library catalog yields no fewer than forty-five books about or promoting current goddess-religion, all written within the last ten years. In addition to the literature, the Goddess has her own line of jewelry, available from Star River Productions. The card that accompanies a “Ceres pendant” combines scholarly and relig