Anthelme mangin biography of william shakespeare
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THE MEMOIRS OF FRANÇOIS RENÉ
*** uppstart OF THE PROJECT GUTENBERG EBOOK 54807 ***
SOMETIME AMBASSADOR TO ENGLAND
BEING A TRANSLATION BY ALEXANDER TEIXEIRA DE MATTOS
OF THE MÉMOIRES D'OUTRE-TOMBE WITH ILLUSTRATIONS
FROM CONTEMPORARY SOURCES. In 6 Volumes. Vol. III
"NOTRE SANG A TEINT
LA BANNIÈRE DE FRANCE"
LONDON: PUBLISHED BY FREEMANTLE
AND CO. AT 217 PICCADILLY MDCCCCII
CONTENTS
VOLUME III
BOOK V3-41
The years 1807, 1808, 1809 and 1810—Article in the Mercure of July 1807—I purchase the Vallée-aux-Loups and retire to it—The Martyrs—Armand de Chateaubriand—The years 1811, 1812, 1813, 1814—Publication of the Itinéraire—Letter from the Cardinal dem Bausset—Death of Chénier—I become a member of the Institute—The romantisk händelse of my speech—The decennial prizes—The Essai sur les Révolutions—The Natchez.
PART THE THIRD
1814-1830
BOOKS I AND II45-58
The last days of the Empire
BOOK III59-105
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Alistair Beaton: 'If you’re bored, it’ll be my fault'
Alistair Beaton Monday, 23 May 2016It’s either serious or it’s funny. That’s a view I quite often encountered when working in Germany. A theatre professional there once advised me to remove all references to writing television comedy from my biography in the theatre programme.
“Why?” I asked.
“People will think you’re not a serious playwright.”
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“It’s a bit worse than that.”
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Bon voyage, Jean Anouilh!
The story of Anthelme Mangin captivated France. For many he was the living embodiment of the unknown soldier buried beneath the Arc de Triomphe. A walking, talking memorial to the horrors of the First World War, and a symbol of hope to the families who desperately claimed him as their own.
Among those enthralled by Mangin’s story was the young playwright Jean Anouilh, who was searching for a subject for one of his early plays. To him there was something poignant and funny about the way in which Mangin was hawked around from family to family by psychiatrists in an attempt to discover his true identity, and in 1937 Anouilh’s comedy, Le Voyageur sans bagage, fictionalising one such meeting, opened in Paris to critical acclaim.
There was something enchanting about the idea to me as well. A copy of Anouilh’s play sat as a paperweight on my desk for a long while before a chance conversation with Donmar Warehouse artistic director Josie Rourke made me pick up