Bojan bazelli biography samples

  • Experience: self · Education: Akademie múzických umění v Praze · Location: Los Angeles · + connections on LinkedIn.
  • The Yugoslavia-born Bazelli was just out of film school in Prague when Ferrara came across the DP's thesis movie and tapped him to shoot his.
  • The building's history seems somewhat sinister, but its current day secrets are every bit as creepy.

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    “A More Boxier Feel”: Aspect Ratio, Architecture, and Ecology in A Cure for Wellness ()

    Joshua Schulze   |   December

    In an interview concerning the horror film A Cure for Wellness, director of photography Bojan Bazelli explains why he chose to shoot in the aspect ratio of

    We made the decision based on location. We were going to shoot at this wonderful place which has tremendous foot ceilings…[i]f we used standard widescreen, it would clip everything down—too much width and not enough height to show the location.[1]

    Contrary to the way it is presented in the interview, is bygd no means “unique,” nor was it “created” especially for the film. It is, however, used far less commonly used than it was in the s and s when it was initially branded as VistaVision. More likely, Bazelli is here referring to the method with which the ratio was achieved: using added height from the Alexa camera’s open gate software, leaving pillarboxes on the sides of the frame.

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    67%(3)67% found this document useful (3 votes)
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    The next generation of superb digital cinematography primes has arrived. Made in Germany by the Schneider-Kreuznach Group, Cine Xenar IIIs are priced to own and built to last.

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    The next generation of superb digital cinematography primes has arrived. Made in Germany by the Schneider-Kreuznach Group, Cine Xenar IIIs are pric

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     Greetings again from the darkness. It might seem peculiar for the director of the Pirates of the Caribbeanfranchise, The Lone Ranger, and the Oscar winning animated Rango to be the driving force behind an atmospheric Gothic mystery-thriller, but Gore Verbinski seems to ignore any attempt to generalize or label his films. In fact, this latest film (written with Justin Haythe) attempts to challenge genre conventions by cloaking us in familiar themes and expecting us to be surprised by the late twist.

    Dane DeHaan has established himself as an actor with no boundaries. He has played characters as diverse as James Dean in Life, and Cricket in Lawless. This time he dons a business suit as Lockhart, an ambitious, young, morally flexible, workaholic financial hotshot. By bending a few FCC regs, Lockhart has maneuvered himself into a plush corner office on Wall Street, and is now strong-armed by senior management into taking on the less-than-appealing task of trav

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